Fantasist’s Scroll

Today is William S. Burroughs‘ birthday.

Born in St. Louis, Missouri on this day in 1914, he is best known for having written Naked Lunch, which was later turned into a movie that starred Peter Weller. Burroughs started writing while attending Harvard, but when a piece of his was rejected by Esquire magazine, he was so disappointed that he didn’t write again for six years. He tried to enlist in the military, but he was turned down by the Navy,and when he got into the Army infantry, his mother arranged for him to be given a psychiatric discharge.
So, at 30 years old, he moved to New York City and got involved in a bohemian scene. It was there that he was introduced to two younger men, Allen Ginsberg and Jack Kerouac. He also got addicted to heroin, and wrote his first book about it, a memoir called Junky. It came out in 1953.
Burroughs is known for his somewhat random method of writing inspiration, which he called the “cut up technique“, though he was certainly not the only writer at the time to make use of the method.
Burroughs is also famous for having accidentally shot his wife at a party while recreating the infamous “William Tell scene.”

Looking for a free forum for fantasy writers?

Well, I don’t have one here, yet, but there is one at FantasyWriters.org. As always with writers, there’s a lot here to read through, but it all seems to be worth it. Of course, I think that anything which helps me get more creative or more inspired to write is worth the effort to slog through, even if some of it is shlock or doesn’t apply to me or my work. Inspiration can take many forms and find its way into my head by strange paths, so I’m always willing to look at another possible inroad to creativity.

Hopefully, you’ll find this site worth the read, too.

So, not too long ago, I brought you a link to an on-line course in writing.

But, by now, I’m betting you’re ready for more stuff on writing science fiction and fantasy. Well, even if you’re not, I found a table of contents on the Science Fiction and Fantasy Writers of America website that has all kinds of great articles about writing. Now, obviously, many of these are geared toward fantasy and science fiction, but some are just general advice about writing and, in any case, they’re all helpful to writers. At least, all the ones I’ve read so far have been helpfull to me! And, as always, this is a free resource, this time, brought to you by the SFWA.

So, go read some inspirational articles and then, get back to writing!

Or, why I like comic books and cartoons.

To put it quite simply, I like the way these two art-forms condense and compress plot. Think about it for a minute. A comic book, or graphic novel, has considerably less room to develop a deep, complex plot than, say, a literary work because a lot of space that could be used to develop plot via text is taken up with art. Also, there are generally fewer pages in a comic book than a novel, of any significant length, at any rate. The writer, therefore, has less space, or literary “time”, if you will, to develop a lengthy plot, so it usually is condensed down to its tightest form, its most simple aspect. It makes comics the perfect medium for examining plot to see how it works, really.

The same is true of cartoons. Now, I’ll admit that other regular shows can condense plot fairly well, too, but nothing seems to do it as well as kid’s cartoons. Take anything from Bugs Bunny to Sponge Bob Square Pants to G. I. Joe to Batman and you’ll find plot in its simplest form. Two, or more, characters in conflict struggling toward a resolution and, of course, finding one, all in 30 minutes or less. Now, one might argue that the sitcoms do the same thing, and they do, to an extent, but not with the same simplicity that cartoons manage. There’s rarely call for complicated subplots in a child’s mind. Oh, sure, the more adult “cartoons”, or animation, might have this, but how many Cowboy Bebops or Full Metal Alchemists or Ghost in the Shells are there running around out there? Right. (And, two of those three were manga, Japanese comic books, first.)

So, if you’re a writer who struggles with plot the way I do, check out a comic book. Find the plot. Identify the elements of it. Find the starting state, the conflict and trace it through to the resolution. Don’t be put off by the threads they leave open for the next book in the series. Just remember, each little plot is like a chapter in a larger book. Besides, there are worse ways to look at plotting a longer piece of work than to treat each chapter as a short story.

Oh, and I read them for the pictures, too.

Ever wanted to write science-fiction and fantasy fiction but didn’t know where to start?

Well, there’s hope. While wasting time at work the other day, I found a free on-line course in writing science-fiction called, oddly enough, Writing Science Fiction and Fantasy. This website is an entire course on writing in the genre available for no charge via the web. They cover everything from the basics of fiction writing to world creation to… Well, just about everything that a begining writer might want to know about writing science fiction and fantasy literature. They even have some topics that go into more depth for those of us who’ve been banging away at it for a little bit.

It looks fairly good and comprehensive. Besides, the price is right: Free!

I know why I have such trouble starting stories.
The answer came to me while reading someone else’s blog: Chad Fowler. He was talking about the book he’s working on and his observations of other people who want to write books. His observation, which I thought was dead on accurate, was that most people wanted to have written a book, not to go through the process of writing a book. I think many people dream of being a writer, but few dream of the work involved in writing. There are times that I can sympathize with that.
But, my problem tends to be indecision. I have a hard time picking which story is worth writing. Or, which story is most worth writing. So, I fret over which one to start until it just doesn’t interest me any more, or until I come up with enough pre-writing requirements, so that I never actually get to the writing part. Hmm, that therapy stuff must be making me more insightfull or something. Damn. One less excuse.

I need strange, metaphorical symbols.
I’ve been thinking about surreal imagery lately. Things like the anthropomorphic caterpillar from Disney’s version of “Alice in Wonderland” and the dancing mushrooms from “Fantasia” keep popping into my head as wonderful symbols of some strange story that’s hiding just below the surface of the “real” story. And, too, William S. Burrough’s work with the exterminator/giant cockroach theme has been a frightening inspiration as well. Not to mention the “bug” in Kafka’s “The Metamorphosis”. So, I’ve been thinking about doing something similar. Taking a list of semi-random symbols and imagery and mashing it into a story. And, I’m going for something very Dali-eseque, but in a literary sense. Of course, the challenge is to get the symbols to use. The stranger, the better, I think.
And, now, gentle readers, here is my plea: Give me your wildest ideas in the comments. Suggest the strangest, most disturbing, funniest, most unusual symbolic references you can think of. As long as we keep it “family friendly”, anything goes. But, you have to give me their “true” meaning, as well. For example, “A giant, talking, anthropomorphic caterpillar => The main character’s SuperEgo”. (Actually, that may just be where I start…) So, there we are.
I’m open to suggestions!

Here’s a variation on last week’s writing exercise.
Instead of using a “cliched” title or phrase, use the title from one of your favorite books or authors. Of course, you must write a totally different story than the one associated with your chosen title, but that can be half the fun. For example, you might want to rewrite a favorite story but with your own ideas about what the characters would do. Or, perhaps you want to continue a story where the author left off. Both are fine ways to start, but remember that you’ll need to go back and edit the characters so that they are yours, not your favorite author’s characters anymore. And, keep in mind, that means more than just changing the names!
Another possibility is to take a favorite title and write a story in a totally different genre. As an example, I love Ernest Hemingway and I think his titles are often quite evocative, but I love fantasy and science-fiction. So, perhaps “The Sun Also Rises” might be a good working title for a sci-fi epic! And, “The Old Man and the Sea” might take on some interesting connotations as a fantasy story filled with old gods and high magic.
The point here is to let your imagination run wild. This is meant to be an aid to creativity that gets you writing when you might have some trouble starting. As always, though, remember to change the title to your own and edit anything that doesn’t belong in your final work out before submitting your story for publication.